As any reader of the pages on this site is aware, the common element in most semi-subliminal advertising is the attempt to associate sexual impulses and thoughts with the product being advertised. However, on occasions, the advertising team do manage to produce something a little different. Love, of example. However, don't get carried away with the idea that true love is what underpins the ad. The rationale is still to manipulate the thoughts and feelings of consumers in the aim of ratching up sales. Peugeot succeeded admirably with their Peugeot 205 (see French Connection) but the connection with love was only the more palatable aspect of their covert attempts at influencing the public. Other Peugeot ads also had semi-subliminal elements. Peugeot
ads were rather sophisticated, whether emphasizing sex or not. Those
which follow have considerably less class. In
fact, there is not a great deal that one needs to say about When
this ad was produced some years ago the Lada was at the bottom of
virtually all lists of UK car purchase preference lists.
Nevertheless, the ad campaign may have been making an attempt to
get to that part of your brain that other ads |
Mercing around Here are a couple of ads for Mercedes, a very classy car indeed. In addition, it is a common cliché that a car is often perceived by men as a status symbol and a substitute for their natural member. Is there any need, therefore, for Mercedes to try and associate sex with their car using semi-subliminal artwork. This
would seem to be so as the two ads The
more recent of the two ads is the picture of Marilyn Monroe.
There hardly seems
Note that Marilyn has some fine 'broken veins' on her cheek. One might be forgiven for imagining that these were there to be interpreted as the word sex. You will need to find a copy of the original ad to determine this to your complete satisfaction. Although perceiving the 'veins' as lettering could simply be projection there must have been some reason to leave them (or paint them) on the image. It is unlikely that any ad agency would leave any such blemishes on an illustration, especially an illustration of someone generally considered as one of the sexual icons of the 20th century. It
would seem, therefore, that advertising agencies leave nothing to
chance. Not even when they are working with
the normal appreciation of cultural icons. To associate
sex in We'll leave the final word on this topic of sex to SEAT. Whatever you do in practice, please practice ................................................................. |
Reversing the argument
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Last Revised: 3rd January, 2003 |